Art and Cultural Policy in China: A Conversation between Ai by Ai Weiwei, Yung Ho Chang, Uli Sigg, Peter Pakesch

By Ai Weiwei, Yung Ho Chang, Uli Sigg, Peter Pakesch

Chinas Kultur ist in Bewegung. Sie steht in regem Austausch mit der globalen Kunstwelt. In dem Buch diskutieren der Künstler Ai Weiwei und der Architekt Yung Ho Chang mit dem Sammler Uli Sigg und dem Intendanten des Landesmuseums Joanneum, Peter Pakesch, über die Hintergründe und Auswirkungen dieses rasanten Wandels sowie über das Verhältnis von Kunst und Architektur zu Politik und Medien. Beide Künstler verkörpern eine neue new release von Kreativen in China, die ihre künstlerischen Wurzeln sowohl in ihrer Heimat wie im Ausland hat.

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Extra resources for Art and Cultural Policy in China: A Conversation between Ai Weiwei, Uli Sigg and Yung Ho Chang, moderated by Peter Pakesch

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Is it different from working in the US or in Europe? Or is everything so open that you do not see a difference? Ai Weiwei I can only talk about the way I see it personally. The communist ideology and the struggle of the proletarian revolution destroyed basic humanitarian values, socalled personal consciousness, personal feelings. That’s the character of this kind of revolution, in Russia as well as in China. Another major factor is the educational system and on top of that, the intellectual sphere was also completely destroyed.

Ai Weiwei Ich unterrichte nicht, aber von Zeit zu Zeit führe ich ein Podiumsgespräch an der Universität. 64 Peter Pakesch Is the educational system changing? You established an architectural faculty. What impact does that have? Yung Ho Chang That’s such a hard question to answer. I don’t think that the program we built had much impact … Ai Weiwei I often hear people say ‘Ah, we come from that program’ but China is so large, so the impact is on a small scale.. Yung Ho Chang Besides there are so many obstacles.

Uli Sigg China ist eben ein großes Land. Aber gewisse Auseinandersetzungen haben schon stattgefunden. Beispielsweise beim Wettbewerb für das Opernhaus in Peking – da wurden die Wettbewerbsprojekte erstmals der Öffentlichkeit vorgestellt und jedermann konnte hingehen und sie sich anschauen. ». Es entstand so viel Druck, dass sogar Jiang Zeming sich rechtfertigen musste, weil es als seine Entscheidung angesehen wurde. Das war vermutlich der Beginn einer gewissen öffentlichen Debatte, vielleicht nicht sehr differenziert oder politisch informiert, aber zumindest sahen die Leute zum ersten Mal, was ein Wettbewerb ist und was dabei am Ende herausschaut.

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