Maya Imagery, Architecture, and Activity: Space and Spatial by Kaylee R. Spencer, Maline D. Werness-Rude

By Kaylee R. Spencer, Maline D. Werness-Rude

Maya Imagery, structure, and Activity privileges paintings historic views in addressing the methods the traditional Maya geared up, manipulated, created, interacted with, and conceived of the area round them. The Maya offer a very robust instance of the ways that the outfitted and imaged surroundings are deliberately orientated relative to political, spiritual, financial, and different spatial constructs.

In reading area, the individuals of this quantity show the center interrelationships inherent in a large choice of areas and areas, either concrete and summary. They discover the hyperlinks among spatial order and cosmic order and the chance that such connections have sociopolitical outcomes. This publication will turn out invaluable not only to Mayanists yet to paintings historians in different fields and students from quite a few disciplines, together with anthropology, archaeology, geography, and panorama architecture.

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Extra resources for Maya Imagery, Architecture, and Activity: Space and Spatial Analysis in Art History

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Hieroglyphs mark some temples, for example, as wayib, or “sleeping places,” for patron gods. 1), and many others, temples furnished deceased rulers turned ancestors with eternal resting places. In addition to harboring the sacred essences of gods, these sacred places were perceived to engender an independent sentience. Architects could adopt the form of the Maya ik’ sign—a reference to wind or the movement of air that resembles the letter T in either normal or inverted orientations—to mark the space defined by temple doors, courtyard entrances, and windows as portals for the passage of a sacred life-force or breath.

Similarly, it has been recently argued that the term bix, or “go away” connotes a journey, either to the underworld or to another geographic location. In the cases of the och bi and bix expressions, roads forge links that catalyze the passage between disparate spatial realms. While death was seen as one way to traverse the boundaries of space and time, ritual activity could also facilitate access to alternate cosmic spheres. Sacbeob could effectively facilitate the movement of a large group of people in prescribed ways, thereby endowing them with vital roles in ordering ritual activities.

In addition to variety in numbers, ballcourts exhibit vast differences in terms of size, proportions, design details, and other spatial considerations. 7b) appears to be diminutive in contrast, especially when compared with the massive pyramid (Temple 1) that borders its north side. Size and importance were not necessarily linked; instead, form mattered most. So important was the general shape of the ballcourt that it remained the same for hundreds of years. This basic form consisted of masonry walls (or platforms) that defined a rectangular playing alley terminating in end zones on both sides of its axis.

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