Panoramiques by Jean-Christophe Bailly

By Jean-Christophe Bailly

Livre, enfance, can pay, langue, époque : les cinq events de ce livre d’essais sont ici les noms de cinq formes d’expériences du temps. Par-delà l’étude des œuvres Benjamin, Eisenstein, Platonov, Baudelaire, Büchner ou Lucile Desmoulins), ou des lieux (la Russie) ou des pratiques (la lecture, les arts), il s’est agi de configurer un temps qui ne serait ni celui des horloges, ni celui du keepsake, ni celui de l. a. prophétie, mais celui qui confondrait en un seul cours ce qui est flux et ce qui est césure. Le cours de ce temps implique pour les signes qui émergent une tout autre vie que celle de l’actualité ou celle de l. a. restitution historique. En lui l’actualité est permanente et consiste en une actualisation toujours latente. Cette actualisation prend los angeles forme de l’éveil, qui révèle los angeles connaissabilité à elle-même. Retracer les chemins de signes de l’éveil, en repérer l’émotion dans différents champs, tel est le propos de ce livre. assortment « Détroits » fondée par Jean-Christophe Bailly, Michel Deutsch et Philippe Lacoue-Labarthe

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Whenever it stopped of its own accord at one of those holes bordered with thorns that farmers dig along the edge of their ploughed land, Charles, waking with a start, would quickly remember the broken leg, and try to recall all the fractures that he knew. It was no longer raining; day was breaking, and, on the leafless branches of the apple trees, birds sat motionless, fluffing out their tiny feathers in the cold morning wind. The flat landscape extended as far as the eye could see, the clumps of trees round the farms making widely spaced splashes of dark purple on that vast grey surface which, at the horizon, merged with the dreary tones of the sky.

When he entered Les Bertaux his horse took fright, and shied violently. It was a prosperous-looking farm. Through the open half-doors of the stables you could see huge draught horses placidly feeding from brand-new mangers. A stream of vapour arose from the big manureheap that flanked the buildings, and, standing out among the hens and turkeys, five or six peacocks––that luxury of Pays de Caux farmyards––were pecking for food. The sheep-run was long and the barn tall, with walls as smooth as the back of your hand.

Père Rouault embraced his future son-in-law. They put off any discussion of money matters, there was plenty of time for that, since the marriage could not decently take place before the end of Charles’s mourning, that is to say, not until the following spring. The winter passed in waiting. Mademoiselle Rouault busied herself with her trousseau. Part of it was ordered from Rouen, and she made herself nightgowns and nightcaps with the help of fashionplates which she borrowed. During the visits Charles made to the Madame Bovary  farm they talked about the preparations for the wedding, wondering which room they’d use for the wedding feast, how many courses they’d have, and what particular dishes they’d serve.

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