Sound Reproduction: The Acoustics and Psychoacoustics of by Floyd Toole

By Floyd Toole

Floyd Toole, a number one professional within the box of sound copy, explains the best way to layout the very best listening event for recording regulate rooms and residential leisure platforms. This accomplished paintings considers the entire sound replica chain from multi channel audio configurations and the loudspeaker/room method to acoustics and psychoacoustics and the overview procedure.

Part 1 indicates the reader the best way to create the simplest listening adventure, providing useful methods to the sound replica chain. elements 2 and three are an in-depth attention of acoustics and psychoacoustics - the technology in the back of half 1.

* how one can layout a superb speakers - for a house leisure approach or a expert recording regulate room
* bargains a accomplished examine the sound replica chain supplying functional recommendation and worthwhile pix throughout
* study from a number one specialist in sound replica - Floyd Toole presents crucial wisdom in a hugely readable and exciting style

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Extra info for Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms

Example text

It is a matter of trying to describe the respects in which audio devices add to or subtract from the desired objective. A different vocabulary is needed. However, most music lovers and audiophiles lack this special capability in critical listening, and as a consequence, art is routinely mingled with technology. In subjective equipment reviews, technical audio devices are often imbued with musical capabilities. Some are described as being able to euphonically enhance recordings, and others to do the reverse.

Our task is to identify the key acoustical cues and to create circumstances that allow them to be most persuasively presented to listeners in homes and cars. 3 RECORDING: MUSICAL INSTRUMENTS IN ROOMS Musical instruments radiate sound in all directions with many frequency-dependent directional patterns—for example, high frequencies from violins radiate vertically away from the top plate of the instrument, and those from a trumpet project outward from the bell of the instrument. Other frequencies may radiate almost omnidirectionally, or with a pattern of a dipole radiator (figure eight).

It is true that characteristics of technical performance must be reflected in the musical performance, but it happens in a highly unpredictable manner, and such a commentary is of no direct assistance in our efforts to improve sound reproduction. In the audio industry, progress hinges on the ability to identify and quantify technical defects in recording and playback equipment while listening to an infinitely variable signal: music. Add to this the popular notion that we all “hear differently,” that one person’s meat might be another person’s poison, and we have a situation where a universally satisfying solution might not be possible.

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